Philip A Murphy
Wildlife and Landscape Artist

About me
I've always had a love of nature and its
expression in art. Landscapes, portraits
and figures. Seeing the panorama of
scenery rendered on a flat surface with the
power to invoke the real thing, captured
me in a moment and I wanted to do that,
too. Give me an easel, pencil and brush.
Playing as a child I revered the fauna and
flora around my boyhood home in the
Weald of south-east England and I'd
spend hours in the surrounding woods and
fields developing an abiding engagement
with nature's glories.
Some of my paintings will strike a chord
with those of you, who-like me- retain
powerfully nostalgic memories of life in
rural England in the 1950's and 60s,
before the rough and tumble of today's
modern life hurried us along.
Oh, those mighty coal-burning steam
engines billowing steam in long white
clouds and me standing on a bridge as it
passed under enveloping me in a coal
furnace and oily-smelling brief mist. And
the smell of tar being laid on the road with
slow-moving steam rollers. Nothing evokes
these memories more than a whiff from the
past bringing back unhesitating memories.
I used to walk along quiet country lanes
festooned with wild flowers in the
hedgerows whose names I had yet to
learn and their hidden abundance of noisy
birds and animals. I remember stopping
with elbows on farmer's gate to soak up
the scenery of crops, trees, that concealed
village a half-mile away and how the
wildlife approached nearby if I kept still for
a while.
I began my career after 5 years of study at
Reigate College of Art, working in
television as a scenic designer and also
painting, and illustrating a wide range of
books and magazines.
Now comes along retirement with leisurely
time to paint without a tight schedule
except the occasional exhibition and
specific request. For me, painting is as
much a part of a day as eating and
sleeping. I cannot imagine a day passing
without holding a brush or pencil. Muscle
memory lives in my hand.
I still spend a great deal of time observing
and sketching outdoors. Most of my
wildlife illustrations are finished in the
studio, but my landscape work is painted
outdoors. I work mainly in watercolour and
pastel but enjoy using oil, acrylic and even
discovering new media.
I've had work published by various
publishers * (below). You'll see my range
as you view the images in the galleries.
*David & Charles publishers, Trout and Salmon magazine, Royal Publishing,
EMAP Publishing, Rymans,
Future Publishing, Shooting Times magazine, and Kent County Council.
...and I'm an associate member of
The Guild of Railway Artists
Email: philalan@mac.com
