Philip A Murphy

Wildlife and Landscape Artist

About me

 

I've always had a love of nature and its

expression in art. Landscapes, portraits

and figures. Seeing the panorama of

scenery rendered on a flat surface with the

power to invoke the real thing, captured

me in a moment and I wanted to do that,

too. Give me an easel, pencil and brush.

 

Playing as a child I revered the fauna and

flora around my boyhood home in the

Weald of south-east England and I'd

spend hours in the surrounding woods and

fields developing an abiding engagement

with nature's glories.

 

Some of my paintings will strike a chord

with those of you, who-like me- retain

powerfully nostalgic memories of life in

rural England in the 1950's and 60s,

before the rough and tumble of today's

modern life hurried us along.

 

Oh, those mighty coal-burning steam

engines billowing steam in long white

clouds and me standing on a bridge as it

passed under enveloping me in a coal

furnace and oily-smelling brief mist. And

the smell of tar being laid on the road with

slow-moving steam rollers. Nothing evokes

these memories more than a whiff from the

past bringing back unhesitating memories.

 

I used to walk along quiet country lanes

festooned with wild flowers in the

hedgerows whose names I had yet to

learn and their hidden abundance of noisy

birds and animals. I remember stopping

with elbows on farmer's gate to soak up

the scenery of crops, trees, that concealed

village a half-mile away and how the

wildlife approached nearby if I kept still for

a while.

 

I began my career after 5 years of study at

Reigate College of Art, working in

television as a scenic designer and also

painting, and illustrating a wide range of

books and magazines.

 

 

 

 

 

 

Now comes along retirement with leisurely

time to paint without a tight schedule

except the occasional exhibition and

specific request. For me, painting is as

much a part of a day as eating and

sleeping. I cannot imagine a day passing

without holding a brush or pencil. Muscle

memory lives in my hand.

 

I still spend a great deal of time observing

and sketching outdoors. Most of my

wildlife illustrations are finished in the

studio, but my landscape work is painted

outdoors. I work mainly in watercolour and

pastel but enjoy using oil, acrylic and even

discovering new media.

 

I've had work published by various

publishers * (below). You'll see my range

as you view the images in the galleries.

 

*David & Charles publishers, Trout and Salmon magazine, Royal Publishing, 

EMAP Publishing, Rymans, 

Future Publishing, Shooting Times magazine, and Kent County Council.

...and I'm an associate member of

The Guild of Railway Artists

 

Email: philalan@mac.com

 

 

 

 

Galleries

Wildlife 

Landscapes

Portraits

Railway

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